Fondation Tavolozza

Working on the road and en plein air:
Travel drawings from the Katrin Bellinger Collection

Katrin Bellinger began collecting in 1985 in parallel to her career as a dealer in Old Master drawings. Fascinated with the artistic process and the mystique surrounding it, she chose to focus on one theme: the artist at work. The collection has since expanded considerably and now includes circa 2000 examples in a range of media – drawings, paintings, prints, photographs and sculpture – dating from the Renaissance to the present day.

At the 2025 Salon du Dessin, the Katrin Bellinger Collection will present a selection of drawings and watercolours exploring the theme of travel, to coincide with the XVIIIth Salon du dessin International Symposium, ‘Traveling Artists: Forms and Functions of Travel Drawing’.

The display will build on the success of the recent exhibition Connecting Worlds: Artists & Travel – a collaboration with the Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden (8 July – 8 October 2023). From sketchbook sheets to finished drawings made as gifts, the chosen works showcase a variety of approaches to the experience, recording and recollection of travel.

Offering insights into this ever-expanding private collection, the display will include prime examples by Lambert Doomer (1624–1700), Hubert Robert (1733–1808) and Thomas Rowlandson (1756–1827), amongst others.

The collection is administered by the Tavolozza Foundation, a non-profit, charitable organisation founded in 2001 by Katrin Bellinger.

Named Tavolozza, the Italian word for palette, the Foundation offers support to projects focusing on the theme of the artist at work and on the field of works on paper, with the aim of keeping drawings and prints visible.

This includes providing funding for exhibitions and their catalogues, acquisitions, scholarly publications as well as special projects such as conferences and study days.

Henri-Joseph Harpignies, *Dessinateur dans un arbre*, 1895, plume et encre noire, lavis gris sur traces de craie, 68 x 102 mm, collection Katrin Bellinger. Photographie : Matthew Hollow

Henri-Joseph HARPIGNIES
A draughtsman sketching in a tree
1895
Pen and black ink, grey wash over traces of chalk, 68 x 102 mm
Katrin Bellinger Collection
Photography: Matthew Hollow

Lambert Doomer, *Un artiste assis près d'un arbre, en train de dessiner*, début des années 1660, plume et encre brune, lavis brun, 145 x 117 mm, collection Katrin Bellinger. Photographie : Matthew Hollow

Lambert DOOMER
An artist seated by a tree, sketching
Early 1660s
Pen and brown ink, brown wash
145 x 117 mm
Katrin Bellinger Collection
Photography: Matthew Hollow

Carlo Labruzzi, *Le Colisée vu depuis le Palatin, Rome*, fin des années 1760-1780, plume et aquarelle sur des traces de crayon, 375 x 540 mm, inv. 2012-017 Photographie : Matthew Hollow

Carlo LABRUZZI
The Colosseum seen from the Palatine Hill, Rome
Late 1760s–1780
Pen and watercolour over traces of pencil
375 x 540 mm
Katrin Bellinger Collection
Photography: Matthew Hollow

Hubert Robert, *Un artiste dessinant à côté d'une statue de Jupiter*, 1762, craie rouge, 530 x 400 mm, collection Katrin Bellinger. Photographie : Matthew Hollow : Matthew Hollow

Hubert ROBERT
An artist drawing beside a statue of Jupiter
1762
Red chalk, 530 x 400 mm
Katrin Bellinger Collection
Photography: Matthew Hollow

Thomas Rowlandson, *Un artiste voyageant au Pays de Galles*, vers 1797, plume et encre et aquarelle sur des touches de crayon. Sur le montage original au lavis de l'artiste, 282 x 282 mm, collection Katrin Bellinger. Photographie : Matthew Hollow

Thomas Rowlandson
An artist travelling in Wales
c. 1797
Pen and ink and watercolour over touches of pencil.
On the artist’s original wash line mount
282 x 282 mm
Katrin Bellinger Collection
Photography: Matthew Hollow

Fondation Tavolozza

Nikolausstr. 12, 82335 Berg, Deutschland/Germany
Tel. +49 1728417170

www.katrinbellingercollection.com

www.tavolozzafoundation.com

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