Galerie AB – Agnès Aittouares

Didier Aaron : vue de la galerie

Founded in 1989 by Agnès Aittouares, Galerie AB is located in the heart of Saint Germain-des-Prés, at 5 rue Jacques Callot in Paris. It offers a unique selection of artworks spanning the period from 1890 to the present day. An expert with the FNEPSA (National Federation of Professional Experts Specializing in Art),

Agnès Aittouares created an appraisal firm dedicated to modern and contemporary art in 2020, thereby strengthening the gallery’s legitimacy and influence in the art market. A must-see destination for art lovers and professionals alike, Galerie AB brings together experts, museum curators, collectors, and art dealers from around the world. Its commitment and high standards make it a benchmark in modern art. Active on the international scene, the gallery participates in major fairs such as Fine Arts La Biennale (Paris), the Salon du Dessin (Paris), Art Paris Art Fair (Paris), and the BRAFA Art Fair (Brussels).

It also organizes monographic exhibitions accompanied by publications, notably Bonnard Vuillard. Une amitié (2022), Pablo Picasso. La force du trait (2023) and Joan Miró. Œuvres sur papier (2024). In addition, it organizes group exhibitions exploring cross-cutting themes, such as De Picasso à Matta. Une influence hispanique à Paris (2022) and Dessins de 1880 à nos jours (2025).

Galerie AB works closely with prestigious museums, including the Musée d’Art Moderne de Paris, the Musée de Montmartre (Paris), the Hôtel de Caumont in Aix-en-Provence, and the Musée Bonnard in Le Cannet.

AB Galerie : Joan Miró, Sans titre, Femmes et oiseau, 1949, Oil, watercolour, pastel and charcoal on paper

Joan Miró

(1893–1983)

Untitled, Women and Bird

1949
Oil, watercolour, pastel and charcoal on paper
32.5 x 25 cm
Signed and dated on the reverse

Provenance

  • Pierre Matisse Gallery, New York
  • J. Reiss Collection, Wisconsin
  • Private collection, Paris

Bibliography

J. Dupin and A. Lelong-Mainaud, Joan Miró, Catalogue raisonné, Drawings II, Éditions Daniel Lelong – Successió Miró, 2010, vol. II, p. 185, no. 1184*

In 1940, Joan Miró moved to Majorca and developed an artistic vocabulary based on the simplification of forms, combined with experimentation with materials.

He created his works as poems in which his figures engage in dialogue. ‘The Woman and the Bird’, which we see here, was one of his favourite themes.

Always in search of invention, he played with the transparency of materials and lines. Oil, pastel and sinuous charcoal strokes are superimposed, giving us a third dimension in this work.

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