The reemergence of this drawing establishes it as the impetus of a whole group of works and, in fact, of a tradition of Dutch portraits of naval heroes. There was a hole in the book of Dutch history and the history of seventeenth century Dutch portraiture left by the absence of this seminal work which can now be filled again for the first time. We are face-to-face with an indispensable piece of Dutch history.

Here in the flesh is a Dutch national hero returned to his rightful place at center stage, on view at the comeback 2022 TEFAF edition in Maastricht (Holland) for all to see. The Dutch public will have an opportunity to see this work, a key piece of their patrimony, for the first time ever.

Persicalli was present at the main exhibitions of the time, including the Exposition International des Arts Decoratifs et Industriels Modernes, held in Paris in 1925, but he remained in the shadows for almost a hundred years.

The catalog, published by the Gallery, was a pioneering study focused mainly on the 78 works presented in the exhibition, analyzed in the context in which they were created, both from a biographical point of view and from the more interesting one of the iconographic repertoire of reference.

The curator Mario Finazzi enriched the volume with a special section in which the texts of the time on Piero Persicalli were reported. In these two years alone, the artist has had a very significant growth, his works have been included in museum exhibitions (let us remember Il Déco in Italia, l’eleganza della modernità, curated by Francesco Parisi, Forte di Bard, Aosta, 2022-2023).

From the point of view of the art market, some of his works have been presented in international fairs, including TEFAF (Maastricht), and BIAF (Florence).

This exhibition traces the artist’s career from his first years in Paris to the large female portraits of the early 20^th century through a careful juxtaposition of known and never-published works.

The exhibition brings together a judicious, wide-ranging selection of paintings, watercolours and drawings, with the aim of highlighting the artist’s versatility, the compositional skill in his works, the refinement of his drawings and his virtuosity as a painter.

These were the years in which the young Boccioni strengthened his artistic vocation through periods of study in Rome, Padua, Venice, and Milan, interspersed with an important stay in Paris in 1906 and his subsequent trip to Russia.

Eugène BOUDIN, Henri-Edmond CROSS, Sonia DELAUNAY, Jean FAUTRIER, Marcel GROMAIRE, Francis GRUBER, Armand GUILLAUMIN, Simon HANTAÏ, Hans HARTUNG, Jean HÉLION, Yves KLEIN, Henri MANGUIN, Albert MARQUET, Serge POLIAKOFF, Paul SIGNAC, Victor VASARELY, Geer van VELDE, Maria Helena VIEIRA DA SILVA, Maurice de VLAMINCK.

It focuses on Feeley’s renowned teaching years at Bennington College, where he taught many influential artists, including Helen Frankenthaler, and collaborated curatorially with Clement Greenberg.

The catalogue features new texts by Dr Ruth Bretherick, Dr Matthew Holman and Dr Douglas Dreishpoon that chart the development of Feeley’s abstraction.

It also reproduces rare archival material, including photographs from Feeley’s Guggenheim memorial retrospective (1968) alongside images of Feeley’s paintings and sculptures, to offer a rich picture of Feeley’s unique contribution to American abstraction.

• Softback 79 pages
• Publisher: Waddington Custot, London
• SBN: 978-1-9164568-7-7
• Dimensions: 31x1x23 cm

A case study on the work of the only Belgian futurist containing:

• A monograph with an in-depth biography by Peter J.H Pauwels that places Jules Schmalzigaug in the artistic circles of his time. The book contains 424.
• A catalog of works by Ronny Van de Velde, a preface by DR Herwig Todts, a text by Adriaan Gonnissen also translated into English and, for the first time, an inventory of a body of work that deserves to be recognized and appreciated internationally. The book contains 400 pages.

Through a selection of oil paintings, watercolours, drawings and etchings, the exhibition ranges from Morandi's renowned still lives to his elegant flower vases and lonely landscapes, revealing the whole of the artist's silent yet profound innovation - halfway between reality and abstraction, and a constant source of inspiration for generations of contemporary artists.

Edited by Alessia Calarota, Silvana Editoriale, Milan, 2019

From late Impressionism and early Cubist experimentation, to the inter-war return to figuration, the pieces in this exhibition both epitomize and push the boundaries of the era’s movements.

They also demonstrate the aesthetic and social interconnectedness of the great artists over decades.

The exhibition presents various paintings, drawings, studies and projects for household furnishings.

Thanks to his great ability and extraordinary inventiveness, Balla was able to anticipate modern design.

The exhibition presents various paintings, drawings, studies and projects for household furnishings.

Thanks to his great ability and extraordinary inventiveness, Balla was able to anticipate modern design.