Directors: Ronny and Jessy Van de Velde
Cogels-Osylei 34
2600 Berchem (Antwerp)
Phone: +32 47 75 51 028
E-mail: ronnyvandevelde@outlook.com
www.ronnyvandevelde.com
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With 50 years of passion for 19th- and 20th-century art, and over the past decade focusing on thematic exhibitions and publications in their gallery in Knokke (covering topics such as Marcel Duchamp, Dada, 7 Arts, Jozef Peeters, Jules Schmalzigaug, Henry van de Velde, and their contemporaries), Ronny and Jessy Van de Velde are now redirecting their attention to Antwerp with exhibitions on George Grosz, J.J. Grandville, and Henri De Braekeleer.
Recently the gallery has published the catalogues raisonné of the drawings of Jules Schmalzigaug and Henry van de Velde, alongside a book on the phenomenal drawing artistry of J.J. Grandville. During their renewed participation in the Salon du dessin, with the collaboration of their grandson Henri Steenbeke, they will show works by these artists, as well as drawings by Max Beckmann, James Ensor, George Grosz, Erich Heckel, Georges Lemmen, Jozef Peeters, Odilon Redon, Gino Severini, Johan Thorn Prikker, and others...
Gino SEVERINI
(1883-1966)
Le compotier, circa 1918
Signed 'G. Severini' (lower right)
Collage on paper, corrugated cardboard, gouache, charcoal and pencil on paper
50.8 x 61.6 cm
Created circa 1918
Provenance
Marguerite Maud Savary, Paris (probably acquired from the artist).
Literature
- Fischer Fine Art Ltd, Universe of Art III, Important 19th and 20th Century Paintings, Drawings and Sculpture, 1973, pp. 63-64 (illustré).
- D. Fonti, Gino Severini, Catalogo ragionato, Milan, 1988, p. 271, no. 309 (illustré).
© Galerie Ronny Van de Velde, Antwerp
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Jules Schmalzigaug (1882-1917)
Monograph
2020
A case study on the work of the only Belgian futurist containing:
- A monograph with an in-depth biography by Peter J.H Pauwels that places Jules Schmalzigaug in the artistic circles of his time. The book contains 424 pages.
- A catalog of works by Ronny Van de Velde, a preface by DR Herwig Todts, a text by Adriaan Gonnissen also translated into English and, for the first time, an inventory of a body of work that deserves to be recognized and appreciated internationally. The book contains 400 pages.